Warner Bros.’s Sully, which had its US premiere last month and opens in the UK next, tells the story of pilot Chesley “Sully” Sullenberger, who famously landed US Airways Flight 1549 in the Hudson River in 2009, saving everyone on board.
Director Clint Eastwood once again called on long-time collaborator and cinematographer Tom Stern to shoot the film. He used Arri Alexa 65 large-format cameras at 6K resolution. Sully was then finished in 4K and readied for distribution, including to IMAX HDR theaters.
Technicolor colorist Maxine Gervais, who supervised dailies and provided the grade, helped develop the overall aesthetic of the film and helped established a look of photorealism with a “very current feel,” working closely with Stern and director Eastwood. Because the emergency landing took place on a cold January morning, it was important that the visual tones reflected how cold the river temperatures were along with the tension and urgency of the situation.