In the News

Technicolor PostWorks Prepares 18 Films for Sundance

NEW YORK— Technicolor PostWorks provided post-production services for more than a dozen films screening at next year’s Sundance Film Festival. They include dramatic and documentary films competing in the festival’s U.S. and World competitions, as well as films included in the Premiere, Midnight, Next, Special Events and Animated Short Films programs. Technicolor PostWorks performed editorial conforming and color grading. PostWorks provided ADR, sound editorial and sound mixing. The 2018 Sundance Film Festival runs January 18-28, 2018.

Technicolor PostWorks projects include:

“Beirut”, “King in the Wilderness”, “Robin Williams: Come Inside My Mind”

Beirut (Premiere). Director Brad Anderson’s story of a U.S. diplomat who flees Lebanon in 1972 and returns ten years later to negotiate for the life of a friend he left behind. Technicolor PostWorks provided dailies, editorial conforming, color grading and deliverables; PostWorks provided offline rentals, sound editorial and sound mixing; Sam Daley, Colorist; Josh Olive, Dailies Colorist; Keith Jenson, Ryan McMahon and Sean Perry, Online Editors; Ruy Garcia, Sound Designer/Supervising Sound Editor; Lon Bender, Supervising Sound Editor/Re-recording Mixer; Martin Czembor, Re-recording Mixer; Chris Foster and Michael McMenomy, SFX Editors; Marlena Grzaslewicz, Dialogue Editor; Ruth Hernandez, ADR Editor; Allen Lau, Assistant Sound Editor; Chris White, ADR Recordist; Andrew McKay, Digital Intermediate Producer; Christine Andrews, Sound Project Manager.

King in the Wilderness (Documentary Premiere).  Director Peter Kunhardt’s portrait of the last years in the life of Martin Luther King, Jr. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound editorial and sound mixing; Allie Ames, Colorist; Ryan McMahon and Brian Woos, Online Editors; Christopher Koch, CAS, Re-recording Mixer; Eric DiStefano, Dialogue Editor; Filipe Messeder, SFX Editor; Christina Delerme, Digital Intermediate Producer; Christine Andrews, Sound Project Manager.

Robin Williams: Come Inside My Mind (Documentary Premiere). Director Marina Zenovich’s intimate portrait of one of the world’s most beloved and inventive comedians. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound editorial and sound mixing; Allie Ames, Colorist; Ryan McMahon and Sean Perry, Online Editors; Christopher Koch, CAS, Re-recording Mixer; Eric DiStefano, Dialogue Editor; Filipe Messeder, SFX Editor; Christina Delerme, Digital Intermediate Producer; Christine Andrews, Sound Project Manager.

“Eighth Grade”, “Lizzie”, “Monsters and Men”

Eighth Grade (U.S. Dramatic Competition). Director and Screenwriter Bo Burnham’s story of a 13-year-old girl making her way through the last week of middle school. Technicolor PostWorks provided dailies, editorial conforming, color grading and deliverables; Jack Lewars, Colorist; Josh Olive, Dailies Colorist; Jeff Cornell and Ryan McMahon, Online Editors; Andrew McKay, Digital Intermediate Producer.

Lizzie (U.S. Dramatic Competition). Director: Craig William Macneill’s tense psychological thriller based on the 1892 murder of Lizzie Borden’s family in Fall River, Massachusetts. Technicolor PostWorks provided sound editorial and sound mixing; Ruy Garcia, Supervising Sound Editor/Re-recording Mixer; Chris Foster, SFX Editor; Marlena Grzaslewicz, Dialogue Editor; Allen Lau Assistant, Sound Editor; Bryn Neuenschwander, Sound Project Manager.

Monsters and Men (U.S. Dramatic Competition). Director and Screenwriter Reinaldo Marcus Green’s interwoven narrative explores the aftermath of a police killing of a black man. Technicolor PostWorks provided editorial conforming and deliverables; Jeff Cornell, Keith Jenson and Ryan McMahon, Online Editors; Christina Delerme and Elizabeth Niles, Digital Intermediate Producers.

“Sorry to Bother You”, “The Tale”, “TYREL”

Sorry to Bother You (U.S. Dramatic Competition). Director and Screenwriter Boots Riley’s dystopian tale of a black telemarketer who discovers a magical key to professional success. PostWorks provided sound editorial; Ruy Garcia and Michael McMenomy, Supervising Sound Editors; Angela Organ, ADR Editor; Lidia Tamplenizza, Dialogue Editor; Allen Lau, Assistant Sound Editor; Christine Andrews, Sound Project Manager.

The Tale (U.S. Dramatic Competition). Director and Screenwriter Jennifer Fox delves into one woman’s memory as she’s forced to re-examine her first sexual relationship. PostWorks provided offline rentals and ADR; Chris White, ADR Recordist.

TYREL (U.S. Dramatic Competition). Director and Screenwriter Sebastian Silva’s story of Tyler, who spirals out of control when he realizes he‘s the only black person attending a weekend birthday party in a secluded cabin. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound mixing; Sam Daley, Colorist; Brian Keefe, Online Editor; Michael Kurihara, Sound Supervisor/Re-recording Mixer; Michael McMenomy, Dialogue Editor; Pam Demetruis, ADR Editor; Nicole Guillermo, Digital Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

“Wildlife”, “Dead Pigs”, “Crime + Punishment”

Wildlife (U.S. Dramatic Competition). Director Paul Dano’s portrait of a family in crisis; based on the novel by Richard Ford. Technicolor PostWorks provided dailies; Josh Olive, Dailies Colorist; Michelle Morris, Dailies Project Manager.

Dead Pigs (World Cinema Dramatic Competition). Director and Screenwriter Cathy Yan’s story of a bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl, who collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai. PostWorks provided sound editorial, ADR and sound mixing; Mariusz Glabinski, Supervising Sound Editor; Peter Waggoner, Re-recording Mixer; Michael Odmark and Kahlin Whatley, Dialogue Editors; Chris Liang, SFX Editor; Ruth Hernandez, ADR Editor; Chris White, ADR Recordist; Jay Rubin, Sound Post Producer; Christine Andrews, Sound Project Manager.

Crime + Punishment (U.S. Documentary Competition). Director Stephen Maing relates the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound mixing; Allie Ames, Colorist; Jeff Cornell and Brian Keefe, Online Editors; Michael McMenomy, Sound Supervisor; Christopher Koch, CAS, Re-recording Mixer; Christina Delerme, Digital Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

“Hale County This Morning, This Evening”, “The Sentence”, “Piercing”

Hale County This Morning, This Evening (U.S. Documentary Competition). Director RaMell Ross explores coming-of-age in the Black Belt of the American South. Technicolor PostWorks provided editorial conforming, color grading and deliverables; Dave Francis, Colorist; Sean Perry, Online Editor; Andrew McKay, Digital Intermediate Producer.

The Sentence (U.S. Documentary Competition). Director Rudy Valdez profiles Cindy Shank, a mother of three who is serving a 15-year sentence in federal prison for her tangential involvement years earlier with a Michigan drug ring. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound editorial and sound mixing; Allie Ames, Colorist; Brian Keefe, Online Editor; Eliott Taylor, Supervising Sound Editor/Re-recording Mixer; Eric Distefano, Dialogue Editor; Mike Odmark, SFX Editor; Nicole Guillermo, Digital Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

Piercing (Midnight). Director and Screenwriter Nicolas Pesce’s twisted love story about a man who seeks out an unsuspecting stranger to help him purge the dark torments of his past. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound editorial and sound mixing; Sam Daley, Colorist; Keith Jenson, Online Editor; Michael Kurihara, Supervising Sound Editor/Sound Designer/Re-recording Mixer; Isabel Cafaro-Anderson, Digital Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

“We the Animals”, “The King”

We the Animals (Next). Director Jeremiah Zagar’s tale of three brothers who tear their way through childhood and push against the volatile love of their parents. PostWorks provided sound editorial and sound mixing; Ruy Garcia, Supervising Sound Editor/Re-recording Mixer; Chris Foster, SFX Editor; Luciano Vignola, Dialogue Editor; Matt Rigby, Assistant Sound Editor; Bryn Neuenschwander, Sound Project Manager.

The King (Special Events). Director Eugene Jarecki’s tribute to Elvis Presley offers a musical road trip across America in the singer’s 1963 Rolls Royce 40 years after his death. Technicolor PostWorks provided editorial conforming, color grading and deliverables; PostWorks provided sound mixing; Ben Murray, Colorist; Ryan McMahon, Keith Jenson and Sean Perry, Online Editors; Christopher Koch, CAS, Supervising Sound Editor/Re-recording Mixer; Christina Delerme, Digital Intermediate Producer; Christine Andrews, Sound Project Manager.

The Shivering Truth (Animated Short Films). Directors Vernon Chatman and Cat Solen present an omnibus of painfully riotous “day-mares,” dripping with dream logic, animated in stop-motion. PostWorks provided sound editorial and sound mixing; Paul Furedi, Dialogue Editor/Re-recording Mixer; Kahlin Whatley, SFX Editor; Chris White, Additional Voice Recordist; Christine Andrews, Sound Project Manager.

About Technicolor PostWorks New York

Technicolor PostWorks New York is the East Coast’s most comprehensive digital motion picture and post-production facility, employing an exceptional team of creative artists, engineers and project managers to serve our clients through the film and TV finishing process.

Technicolor PostWorks New York offers one complete source for every post requirement, including in-context digital dailies, film imaging and restoration, collaborative non-linear editorial and HD/UHD broadcast finishing, 4K digital cinema, global content lifecycle support, and comprehensive film and TV sound services on nine mix stages.

For more information, visit http://www.technicolorpwny.com

Leave a comment